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Her point, though, is that even if you get your point across, there’ll still be something missing. It’s classic SZA season music: the deft repetitions that home in on a topic without quite reaching it, the vocal melodies that gently stab at the conscience but pull away at the last second, the romantic striving that never overcomes its inhibitions: “I’m scared of love, yeah, and you’re hard to trust.” The miracle of her music is that she actually does get her point across. Released last night, “Quicksand,” an original SZA track attached to the recently released Insecure season-two soundtrack, could easily have slipped into the Ctrl tracklist unnoticed. It was no shock to hear “Supermodel,” the lead track on Ctrl, feature prominently on the current season’s playlist, and, as Issa Rae confirmed at a recent Genius event, there were several other songs that were ideal accompaniment for characters and plotlines centered on the absence of ideal company. All one can do, under such adverse circumstances, is laugh. Sex flows in abundance, but love is anemic at best, and the white co-workers are casually racist and get paid more for the same labor.

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Issa and Molly, the two main characters, both black women enmeshed in professional careers, and in the prime of their dating years, are constantly in circulation: Issa’s relationships never quite end while Molly’s never quite begin. She made the side-chick experience so universal that you couldn’t help but suspect that the universe itself was a peripheral affair, a dalliance to be entertained on the side while the powers that be swiped for better realities to commit to.Ī similar experience of falling away seems to animate Insecure, the HBO comedy created by Issa Rae, the second season of which is set to wrap up this weekend. Ctrl was a performance so convincing that it left one wondering if things had ever been different. SZA’s songs were delicate, tenacious, in permanent motion - like floaters in the eye, they demanded to be seen, but drifted out once you tried to focus on them. It’s not all that serious - is it? When SZA’s long-delayed and much-awaited debut LP Ctrl finally came out this year, the rapturous welcome it received was based, at heart, on the uncanny skill with which the R&B singer spun out the experience of romantic marginality, voicing the tensions and indignities of being sidelined, with a poise that didn’t quite conceal the desperation it restrained. “Quicksand” comes with a video directed by Nathan Castiel, who says it “plays off of some tropes of Hollywood glamour in a melancholy and surreal way while giving Harriette room to perform and express the song’s raw emotion.” Check it out below.Photo: Dia Dipasupil/Getty Images for BET The video digs deeper into showing this juxtaposition of such sadness and anger despite being surrounded by glamour and grandeur. General CommentThe song is influenced heavily by Friedrich Nietzsches philosophy of the Overman/Superman (which is actually mentioned in the song Im not a.

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I had to work through some tough learned thought processes and emotions that had been working away for years to try to understand how to be happy with my present, and stop fixating on my past and future.

I was feeling guilty and ungrateful for not being happy about a few different things in my life that were technically going well. I started writing it when I was home between tours in 2019 before finishing it with Joe Agius and Dan Nigro the next year. “Quicksand” is about dealing with the realisation that you’ll never be satisfied. Here’s what Pilbeam had to say about the song: “This album really just feels like the beginning to me, and scratching the surface - and even though it’s my third release as Hatchie, I feel like I’m rebooting from scratch.”Īlong with the announcement, Pilbeam has shared a new single called “Quicksand.” It was produced by Jorge Elbrecht - who also oversaw the rest of Giving The World Away - and co-written with Olivia Rodrigo collaborator Dan Nigro, alongside Hatchie’s own collaborator Joe Agius. “I’m capable of writing more than just nice dream-pop songs, and there’s more to me than just writing songs about being in love or being heartbroken - there’s a bigger picture than that,” Pilbeam said in a statement. It’s called Giving The World Away, and it’s out in late April.Ī press release describes it as an album showing Hatchie come into her own.

In September, Harriette Pilbeam announced she’d signed to Secretly Canadian and shared a new single called “ This Enchanted.” That was just a precursor to Hatchie’s sophomore album.

Song quicksand